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The Karamazov Brothers (Oxford World's Classics), by Fyodor Dostoevsky
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Dostoevsky's last and greatest novel, The Karamazov Brothers (1880) is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons--the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha--are all involved at some level. Brilliantly bound up with this psychological drama is Dostoevsky's intense and disturbing exploration of many deeply felt ideas about the existence of God, freedom of will, the collective nature of guilt, and the disastrous consequences of rationalism. Filled with eloquent voices, this new translation fully realizes the power and dramatic virtuosity of Dostoevsky's most brilliant work.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
- Sales Rank: #469442 in Books
- Published on: 2008-08-01
- Original language: English
- Number of items: 1
- Dimensions: 5.10" h x 2.10" w x 7.70" l, 3.51 pounds
- Binding: Paperback
- 1054 pages
Review
"A fine translation."--Sr. Anna M. Conklin, Spalding University
Language Notes
Text: English (translation)
Original Language: Russian
About the Author
Born in Latvia but now living in London, Ignat Avsey is Senior Lecturer in Russian language and Literature at the University of Westminster.
Most helpful customer reviews
167 of 177 people found the following review helpful.
The most important book I've ever read.
By Adam Roberts
In Kurt Vonnegut's Slaughterhouse Five, Rosewater tells Billy Pilgrim that "everything there [is] to know about life [is] in The Brothers Karamazov, by Feodor Dostoevsky."
And so, I took Rosewater to heart, and after finishing Slaughterhouse over my winter break, I went to the library and took out the intimidatingly old and terribly thick translation of The Brothers Karamazov. I sat down on my bed at home and opened it, and thought to myself, "Let's read the first page, and see if I can make sense of it."
The first page, is in fact, a message from the author and it addresses the same question (more or less) that I was asking myself as I began to read:
"Starting out on the biography of my hero, Alexi Fyodorovich Karamazov, I find myself in some perplexity. Namely, that while I do call Alexi Fyodorovich my hero, still, I myself know that he is by no means a great man, so that I can foresee the inevitable questions, such as: What is notable about your Alexei Fyodorovich that you should choose him for your hero? What has he really done? To whom is he known, and for what? Why should I, the reader, spend my time studying the facts of his life?"
It is that last question-why anyone should want to spend time studying the facts of his life (and, on a side note, I recently read a Dave Barry column where he asks, "Has anyone actually finished The Brothers Karamazov?") that I am here to sell you on.
I can say now, even though I literally just finished it, with some degree of certainty, that The Brothers Karamazov is the most important book that I have ever read. It has very much changed me-and my perception of the world. I will go back to it, throughout my life, and reread many of its passages. I will forever remember-whether consciously or unconsciously-its characters, its moments, and its apparent meanings.
I am here to tell you, though, that you-yes you-are very much capable of reading The Brothers Karamazov. I was the one in high school who read the Cliff's Notes for The Scarlet Letter and for Dostoyevski's own Crime and Punishment. If you asked me then, and in fact if you asked me only a few months ago, if I thought I might ever read The Brothers Karamazov for pleasure, I would have laughed. And yet I did just exactly that, reading the first 100 pages from the library, and then going out and purchasing my own copy-because I knew after those first 100 pages that I could, and that I would, finish.
And now a short note on translation: the library book that I began with was, indeed, readable, but the book that I eventually bought was a new translation that came out in 1991. Critics praise this translation on the front and back covers; the New York Times writes, "One finally gets the musical whole of Dostoyevsky's original." And since I read the first 100 pages from an older translation, I can agree with the NYT that this translation is far superior. [And for those who plan on tackling this book, it's a pink and white copy, translated by Richard Pevear and Larissa Volokhonsky.]
And now on to the book itself. I would say that this book works on two levels: on one level it is a mystery/thriller/love story/drama (all on one level) that is exciting for its plot and its suspense. The other level, though, is the spiritual level-a level that justifies the presence of the seemingly (in retrospect) unimportant characters of Zossima the Elder and Ilyushenka, the poor little boy who gets sick after his father is publicly humiliated. These characters don't affect, really, the plot of the book-although they both play important roles. They are, though, there for very different reasons-and they are for me the most important characters in the book.
In conclusion, (and yet I feel like I could write so much more), read The Brothers Karamazov because we view the world constantly through a filter-a filter of consciousness-and this book will reshape and reconfigure your filter. It's like a spiritual tune-up. It will lead to deep introspection, it will comfort you, it will disturb you, and most of all it will better you. As the elder Zossima tells Alyosha, "you will bless life and cause others to bless it-which is the most important thing."
78 of 81 people found the following review helpful.
Wonderful Translation of an Astounding Classic
By S. Fraser
After being thoroughly spoiled ROTTEN by Ignat Avsey's beautifully flowing translation of this work, I'm having trouble digging into the first few chapters of "Crime and Punishment", translated by Constance Garnett. It is incredible the stylistic difference between the two translators. Ignat claims to stay truer to the style and spirit of Dostoevsky rather than remain grammatical and structurally confined to perfectionistic "direct" translation, which seems to create clumsy and confusing sentences and phrases, often requiring constant rereading and scrutiny of awkward sentences which I'm sure flow wonderfully in Russian, yet translated "exactingly" into the English language create stumbling blocks to enjoyable comprehension of Dostoevsky's vision. I find Ignat's craft infinitely more engaging and clear, and having now begun a Garnett translation I am immeadiately struck by how stiff and in my opinion, unnecessarily confusing the phrasing and grammar is. I came online hoping Ignat may have translated other Dostoevsky novels, but alas, I can't find any.
At the bookstore, intrigued by the rewording of the title, I read about 3 pages of his version, and then a few of Garnett's. I knew right away which one to buy. I can't recommend his version enough, the novel is astounding and well worth the trouble of taking on, and is sure to be especially delightful if you're reading the Ignat Avsey version.
0 of 0 people found the following review helpful.
Grandly inquisitive
By HH
"The Brothers Karamazov" is an allegory for the world's maturity, but with children to the fore. Avsey's translation does full justice to Dostoevsky's genius, particularly in the use of the spoken word, which ranges over every mode of human expression. the disastrous consequences of rationalism. The novel is also richly comic; the Russian Orthodox Church, the legal system, and even the author's most cherished characters and causes are presented in an irreverent light, so that there appears no sharp distinction between health and disease, orthodoxy and radicalism, sanity and madness, love and hatred, or right or wrong.
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