Selasa, 31 Juli 2012

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Advanced Concrete Technology 4: Testing and QualityFrom Butterworth-Heinemann

Based on the Institute of Concrete Technology's Advanced Concrete Technology Course, these four volumes are a comprehensive educational and reference resource for the concrete materials technologist. An expert international team of authors from research, academia and industry has been brought together to produce this unique series. Each volume deals with a different aspect of the subject: constituent materials, properties, processes and testing and quality. With worked examples, case studies and illustrations throughout, the books will be a key reference for the concrete specialist for years to come.

  • Expert international authorship ensures the series is authoritative
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  • Sales Rank: #3635226 in eBooks
  • Published on: 2003-08-21
  • Released on: 2003-08-21
  • Format: Kindle eBook

About the Author
John Newman taught history of architecture at the Courtauld Institute of Art, University of London, until his retirement. He was advisory editor of the Pevsner Architectural Guides from 1983 to 2003 and is the author of several volumes in The Buildings of England and The Buildings of Wales series.

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Minggu, 22 Juli 2012

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  • Sales Rank: #2916638 in Books
  • Brand: Brand: Marcel Dekker Inc
  • Published on: 1991-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.50" h x 7.50" w x 1.75" l, .0 pounds
  • Binding: Hardcover
  • 760 pages
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Sabtu, 21 Juli 2012

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Chien-Shiung Wu: Pioneering Nuclear Physicist (Makers of Modern Science), by Richard Hammond

Born in China in 1912, Chien-shiung Wu came to the United States to study physics at the University of California at Berkeley. Madame Wu, as she was called, was one of the most distinguished women physicists of her time, and served as the first female president of the American Physical Society in the 1970s.

  • Sales Rank: #2684618 in Books
  • Published on: 2009-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 6.10" l, .75 pounds
  • Binding: Hardcover
  • 124 pages

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Ideas: General Introduction to Pure Phenomenology. Trans. , by W. R. Boyce Gibson, by Edmund Husserl

  • Sales Rank: #6236324 in Books
  • Published on: 1972
  • Binding: Mass Market Paperback

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ONE OF THE “FOUNDATIONAL” TEXTS OF PHENOMENOLOGY
By Steven H Propp
Edmund Gustav Albrecht Husserl (1859-1938) was a German philosopher who established the school of phenomenology. He was born into a Jewish family (which later caused him to lose his academic position when the Nazis came to power in 1933), but was baptized as a Lutheran in 1886. He wrote many books, such as On the Phenomenology of the Consciousness of Internal Time, The Crisis of European Sciences and Transcendental Phenomenology, Cartesian Meditations, etc.

This book was first published in 1931. Husserl wrote in his Preface to the English Edition, “the work here presented seeks to found a new science … covering a new field of experience, exclusively its own, that of ‘Transcendental Subjectivity.’ … [this] does not signify the outcome of any speculative synthesis, but with its transcendental experiences, capacities, doings, is an absolutely independent realm of direct experience although for reasons of an essential kind is has so far remained inaccessible. Transcendental experience in its theoretical and, at first, descriptive bearing, becomes available only through a radical alteration of that same dispensation under which an experience of the natural world runs its course, a readjustment of viewpoint which, as the methods of approach to the sphere of transcendental phenomenology, is called ‘phenomenological reduction.’ … In this book… we treat of an a priori science… which appropriates, through as pure subjectivity only, the empirical field of fact of transcendental subjectivity with its factual… experiences… and sets out as its a priori the indissoluble essential structures of transcendental subjectivity.” (Pg. 5-6)

He explains, “The philosophical [suspension of judgment], which we propose to adopt, should consist… in this, that in respect of the theoretical content of all previous philosophy, we shall abstain from passing any judgment at all, and that our whole discussion shall respect the limits imposed by this abstention.” (Ch. 2, pg. 72-73) He continues, “we start out from that which antedates all standpoints: from the totality of the intuitively self-given which is prior to any theorizing reflexion, from all that one CAN immediately see and lay hold of, provided one does not allow oneself to be blinded by prejudice, and so led to ignore whole classes of genuine data.” (Ch. 2, pg. 78)

He presents “The Principle of All Principles”: “that very primordial dator Intuition is a source of authority… whatever presents itself in ‘intuition’ in primordial form (as it were in its bodily reality), is simply to be accepted as it gives itself out to be, though only within the limits in which it presents itself… the theory itself would not derive its truth except from primordial data. Every statement which does nothing more than give expression to such data … is thus really… an absolute beginning…” (Ch. 2, pg. 83-84) He suggests, “The right attitude to take in the pre-philosophical … sphere of inquiry… is in full consciousness to discard all skepticism together with all ‘natural philosophy’ and ‘theory of knowledge,’ and find the data of knowledge there where they actually face you, whatever difficulties epistemological reflexion may subsequently raise concerning the possibility of such data being there.” (Ch. 2, pg. 86)

He observes, “I am present to myself continually as someone who perceives, represents, thinks, feels, desires, and so forth… I find myself related in present experience to the fact-world which is constantly about me. But … not every cogiton in which I live has for its cogitatum things, men, objects or contents of one kind or another. Perhaps I am busied with pure numbers and the laws they symbolize… while I am thus occupied some numbers or constructions of a numerical kind will be at the focus of vision… The arithmetical world is there for me only when and so long as I occupy the arithmetical standpoint. But the NATURAL world… is constantly there for me, so long as I live naturally and look in its direction. I am then at the ‘natural standpoint’… The natural world still remains ‘present’ … and in this respect undisturbed by the adoption of new standpoints… the natural world remains unconsidered; it is now the background for my consciousness as act, but it is not the encircling sphere within which an arithmetical world finds its true and proper place. The two worlds are present together but disconnected, apart, that is, from their relation to the Ego, in virtue of which I can freely direct my glance or my acts to the one or the other.” (Ch. 3, pg. 94)

He states, “The ‘true Being’ would therefore be … something that is defined otherwise than as that which is given in perception as corporeal reality, which is given exclusively through its sensory determinations… The thing as strictly experienced gives the mere ‘this,’ an empty X which becomes the bearer of mathematical determinations, and of the corresponding mathematical formulae and exists not in perpetual space, but in an ‘objective space,’ of which the former is the mere ‘symbol,’ a Euclidian manifold of three dimensions that can be only symbolically represented.” (Ch. 4, pg. 116) Later, he adds, “the Being of consciousness… though it would indeed be inevitably modified by a nullifying of the thing-world, would not be affected thereby in its own proper existence… Thus no real thing, none that consciously presents and manifests itself through appearances, is necessary for the Being of consciousness… Immanent Being is therefore without doubt absolute in this sense… On the other hand, the world of the transcendent ‘res’ is related unreservedly to consciousness, not indeed to logical conceptions, but to what is actual.” (Ch. 5, pg. 137)

He outlines, “Thus, instead of living naively in experience… we perform the ‘phenomenological reduction.’ In other words: instead of naively carrying out the acts proper to the nature-constituting consciousness with transcendent theses and allowing ourselves to be led by motives that operate therein… we set all these theses ‘out of action,’ we take no part in them; we direct the glance of apprehension and theoretical inquiry to pure consciousness in its own absolute Being. It is this which remains over as the ‘phenomenological residuum’ we were in quest of… We have literally lost nothing, but have won the whole Absolute Being , which, properly understood, conceals in itself all transcendences, ‘constituting’ them within itself.” (Ch. 5, pg. 140)

Near the end of the book, he summarizes, “we apprehend the regional ‘Idea’ of the Thing in general as that of the self-same something which maintains itself in and through the properly jointed determinate infinities of each regional channel, and proclaims itself in the definitely articulated infinite series of noemata that belong to them… The Thing in its ideal essence presents itself… in the necessary ‘form’ of Time. Intuitive ‘ideation’ … teaches us to know the Thing as necessarily enduring, as in principle endlessly extensible in respect of its duration. We grasp in ‘pure intuition’ …the ‘Idea’ of temporality and of all the essential phases included in it. The Thing… is further… capable in respect of its spatial relations of infinitely various changes of shape, and…position… We grasp the ‘Idea’ of space and the Ideas which it includes. Finally, the Thing is … substantial unity, and as such the unity of causal connections… ALL components of the Thing-Idea are themselves Ideas, each implying the ‘and so forth’ of ‘endless’ possibilities.” (Ch. 13, pg. 382-383)

For anyone studying Phenomenology or contemporary philosophy, this book will be “must reading.”

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Kamis, 19 Juli 2012

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STREET PLAYER~MY CHICAGO STORY, by DANNY SERAPHINE~ADAM MITCHELL

  • Sales Rank: #9887749 in Books
  • Published on: 2011
  • Binding: Hardcover

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Selasa, 17 Juli 2012

[G722.Ebook] Free Ebook Ladies or Gentlemen: A Pictorial History of Male Cross-Dressing in the Movies, by Jean-Louis Ginibre

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Ladies or Gentlemen: A Pictorial History of Male Cross-Dressing in the Movies, by Jean-Louis Ginibre

This pictorial history examines the grand tradition of male cross-dressing in the movies through more than 700 photos. The screen's greatest stars, from comedians like Buster Keaton and Peter Sellers to 'serious' actors like Marlon Brando and Max von Sydow, are pictured in everything from bustiers to ballgowns.

  • Sales Rank: #2814113 in Books
  • Brand: Brand: Filipacchi Publishing
  • Published on: 2005-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.25" h x 1.25" w x 9.75" l, 5.22 pounds
  • Binding: Hardcover
  • 408 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

4 of 4 people found the following review helpful.
A History of Cross-dressing in the Movies.
By Robert J. Murphy
My interest in this book comes from my fifty years in the theatre and television industry in Australia. Firstly as a dancer/singer in musicals, and then for thirty years as a costumier. I occasionally had to make costumes for actors to be dressed as females. It was fascinating to see how Hollywood & European studios designed and made the costumes for some of the great actors of our times. I found the book fascinating as many of the photos I had never seen. I just wish this book had come along years ago, as it would have been a great reference book for me - and the staff that worked in my business. Robert J. Murphy

8 of 8 people found the following review helpful.
The Most Amazing Resource and Guide
By D. Clairemonte
I just got this book the other day, and it is really amazing. Its a big and glossy book filled with great images of Male Crossdressing in the cinema from the most familer to the most obscure. If a chap put a frock on, on celuloid, this book has it covered. Each of the images have film synopsis to go with them. It is really a great book just for the pictures, but is made even better by the movie guide that goes along with them. It has the images divided in to several differnt chapters, and at the beginigng there is a great intro by John Lithgow and the author of the book. All and all it is an absolutle pleasure to have this book in my collection.

Insightful and fun, perfect for anyone, best for that special kind of girl who likes to see the boys in heels and eyeliner.

0 of 0 people found the following review helpful.
Interesting Pictorial History
By karengersh
An interesting history of the many actors who have donned female attire at times in their careers.
The comic ones are quite funny however; the serious ones tell a different story. Some of the photographs
seem to be rare since some of the sequences were cut from the film (ex: The Ritz Brothers).

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Selasa, 03 Juli 2012

[P895.Ebook] Fee Download Setting the Scene: The Art & Evolution of Animation Layout, by Fraser MacLean

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Setting the Scene: The Art & Evolution of Animation Layout, by Fraser MacLean

The art of animation layout takes center stage for the first time in this gorgeous, full-color volume. Animation fans and students can finally take a behind-the-scenes peek at the history of layout, the process by which artists plot scenes and stitch together the many elements of animated works. With in-depth text by veteran animator Fraser MacLean, this extraordinary book features previously unpublished art from major studios archives including Warner Bros., Pixar, Walt Disney, and more as well as interviews with some of the biggest names in animation and a foreword by Academy Award winning director Pete Docter. From the genre's earliest pioneers to the digital world of contemporary cinema, Setting the Scene provides an enchanting journey into the history of animation.

  • Sales Rank: #104813 in Books
  • Brand: Brand: Chronicle Books
  • Published on: 2011-11-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 1.25" w x 11.50" l, 3.60 pounds
  • Binding: Hardcover
  • 270 pages
Features
  • Used Book in Good Condition

Review
"a beautiful ...stunningly attractive book...wonderful and heavily researched with an enormous number of illustrated examples." - Michael Sporn Animation Splog

"It is easily the most attractive animation book to come into my hands in many years." -MichaelBarrier.com

"MacLean's insightful volume about the history of layout is one of the must-have animations books...Offering excellent interviews with some of the biggest names in tha business, interspersed with lots of previously unpublished art from the vaults of Disney, Pixar and Warner Bros., the book offers a solid overview of the importance of layout in all types of animation. " -Animation Magazine

About the Author
Fraser MacLean has worked for Passion Pictures, Cambridge Animation Systems, Telemagination, and Walt Disney Animation Studios, on such films as Space Jam and Tarzan. He currently runs Penciltown Animation and resides in Edinburgh, Scotland.

Pete Docter is the Oscar-winning director of the celebrated Pixar films, Mosters, Inc. and Up.

Most helpful customer reviews

31 of 34 people found the following review helpful.
Good Content, Potentially Misleading Title
By r. kretz
Being an afficionado for all things art books, I ordered the book on impulse. However, with a slightly misleading title, and the short and rather less than more descriptive 'Book Description', look out for what the book is about, lest you end up discontent.

The book seems to be aimed at two target demographics: people interested in animation history and younger folk working in animation with an overly technical focus to their work.
For both of those interest groups, MacLean does a huge job. The Book is a rather complete course through the history of animation, starting with the earliest moving drawings and including very recent productions like Disney's "Princess and the Frog". If you did not know what kind of work was involved in making drawings move, and eventually make them into feature films, MacLean will present you with a very readable and accessible account of all that.

MacLeans ulterior motive with this is to show the reader what the layout departments' job is: to bridge the gap between the rather general script & storyboard on the one hand, and the specific requirements for the finished film, as well as directions for all the departments in charge of producing the actual film: animators, background artists, camera operators etcetera.

For the reader interested in a glimpse into animation history, this is a valuable insight into how an animated movie comes to be. For the young animator, it serves as a reminder of how important the layout phase is. MacLean seems to see a specific danger for overlooking the importance of layout in a 3d pipeline, where the specific planning of a shot is no longer a necessity to produce its assetts.

The problem I had with the book was that its subtitle, "The Art and Evolution of Animation Layout", can be misleading. For a reader not in the know of what animation layout is, the book gives insight into what animation layout does, and how its history unfolded. For the reader who already knows what layout is, though, "The Art and Evolution" evokes insight into what constitutes good (artful) layout, and how layout quality itself evolved to allow more and more successful moviemaking. For the reader in the know of what animation layout is, the subtitle "the Job and History of Animation Layout" would be a much better description of the books content. When I read "Art and Evolution", i expected a more direct look at the nuts and bolts of actual layout work: the cinematographic decisions themselves, instead of merely getting to know that layout makes cinematography for animation.

That said, a few passages allow for that kind of insight, however it is never the focus of the book. In terms of artwork quantity and quality, the Disney Animation Archive tome on Layout and Backgrounds (naturally) is leaps and bounds beyond this book, because MacLeans's book is not focussed on telling you what good layout is & how it can be achieved, but enlightens the reader what layout does.

9 of 12 people found the following review helpful.
Exceptional Quality!
By Robert
As a collector of animation art, I look for books that can add more perspective to the animation process. MacLean's book is one of the finest books I've read in a long time. The book's outstanding content is matched by the exceptional artwork that is featured to support the text. AND the print quality is amazing...! The attention to detail and color control is exceptional! While reading the book, the reader is immediately struck by the complexity of the animation process and the amazing quality of the artwork that is often overlooked. As an owner of 100+ books on animation, I would rank MacLean's book in my Top 5 -- and it is certainly a bargain at this price!

6 of 8 people found the following review helpful.
Worth every penny
By louise
Being a character designer i bought this book due to my ever growing curiosity of Animation development - this book has been an investment for my knowledge and it is worth every dime! When i am working on designs during the day i often find myself skipping through the pages of this book - constantly finding inspiration for props etc. If it is handy for character and prop designers, then for layout artist's it must be gold dust....Fraser maclean has pulled out all the stops and any grey hairs that may have sprouted are trophies to his hard work. Great foreword from Pete Doctor also...BUY IT!

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[W282.Ebook] Ebook Free The Developing Child (13th Edition), by Helen Bee, Denise Boyd

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The Developing Child (13th Edition), by Helen Bee, Denise Boyd

Provides students the most support for learning and success

The Developing Child, 13e gives students the tools they need to organize, retain, and apply information from the broad field of child psychology, while offering balanced coverage of theory and application.

Through The Developing Child, 13e Helen Bee and Denise Boyd generate excitement about scientific inquiry by connecting research with applications. All integrated features within the text are designed to engage students and provide them with the support they need to understand, learn, and apply the material. Interactive resources like MyDevelopmentLab and�MyVirtualChild offer students additional support and the ultimate hands-on learning experience.

This is the standalone book if you want the Book/MyDevelopmentLab/Access Card order the ISBN below:�

0205865291 / 9780205865291 Developing Child and NEW MyDevelopmentLab with Pearson eText -- Valuepack Access Card�Package

Package consists of:���

0205206522 / 9780205206520 NEW MyDevelopmentLab with Pearson eText -- Valuepack Access Card

0205256023 / 9780205256020 Developing Child, The

  • Sales Rank: #70518 in Books
  • Brand: Brand: Pearson
  • Published on: 2011-12-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.10" w x 9.10" l, 3.08 pounds
  • Binding: Hardcover
  • 592 pages
Features
  • Used Book in Good Condition

About the Author
Denise Boyd received her Ed.D. in educational psychology from the University of Houston and has been a psychology instructor in the Houston Community College System since 1988. From 1995 until 1998, she chaired the psychology, sociology, and anthropology department at Houston Community College—Central. She has coauthored�multiple�Pearson texts: with Helen Bee, Lifespan Development (Sixth Edition) and The Growing Child (First Edition); and with Genevieve Stevens, Current Readings in Lifespan Development. A licensed psychologist, she has presented a number of papers at professional meetings, reporting research in child, adolescent, and adult development. She has also presented workshops for teachers whose students range from preschool to college.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Good Book
By snowwolf125
I got this book for school and it was more than enough for me to information out of it. I found myself still reading it even after my class ended.

1 of 1 people found the following review helpful.
Great
By Regfee
Fairly good read. It arrived in a timely manner with no damage. The content is laid out in an easy-to-follow format. If you have access to the videos, it is well worth the purchase.

1 of 1 people found the following review helpful.
Great Book!
By Melissa Bochniak
This book met my expectations and is a very easy read. I use it in my child psychology class everyday and would definitely be lost without it!

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Senin, 02 Juli 2012

[L394.Ebook] Fee Download Blood of Elves (GollanczF.), by Andrzej Sapkowski

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Blood of Elves (GollanczF.), by Andrzej Sapkowski

The New York Times bestselling series that inspired the international hit video game: The Witcher.
For over a century, humans, dwarves, gnomes, and elves have lived together in relative peace. But times have changed, the uneasy peace is over, and now the races are fighting once again. The only good elf, it seems, is a dead elf.

Geralt of Rivia, the cunning assassin known as The Witcher, has been waiting for the birth of a prophesied child. This child has the power to change the world - for good, or for evil.

As the threat of war hangs over the land and the child is hunted for her extraordinary powers, it will become Geralt's responsibility to protect them all - and the Witcher never accepts defeat.
Blood of Elves is the first full-length Witcher novel, and the perfect follow up if you've read The Last Wish collection.

Witcher novelsBlood of Elves
The Time of Contempt
Baptism of Fire The Tower of SwallowsLady of the Lake
Witcher collectionsThe Last WishSword of Destiny
The Malady and Other Stories: An Andrzej Sapkowski Sampler (e-only)

Translated from original Polish by Danusia Stok

  • Sales Rank: #1643846 in Books
  • Published on: 2008
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.17" h x .94" w x 6.06" l, 1.06 pounds
  • Binding: Paperback
  • 384 pages

Review
"The universe of Sapkowski's The Witcher is one of the most detailed and best-explored in modern fantasy, offering endless opportunities for fresh ideas ... Complex character relationships enrich this already complex world; this is the sort of series fantasy fans will cherish."―B&N

"One of the best and most interesting fantasy series I've ever read. Though it functions well as adventure fiction, it has added depth and value as satire and commentary on fantasy literature ... Sapkowski is a genuine stylist."―Nerds of a Feather

"Like a complicated magic spell, a Sapkowski novel is a hodgepodge of fantasy, intellectual discourse, and dry humor. Recommended."―Time

"Like Mieville and Gaiman, [Sapkowski] takes the old and makes it new ... fresh take on genre fantasy."―Foundation on The Last Wish

"A breath of fresh air in a well-worn genre. Don't miss it!"―Dreamwatch

"Sapkowski has a phenomenal gift for narrative, inventing sensational events, creating a suggestive mood, and building up the suspense along with a dazzling, slightly cynical sense of humor."―Jacek Sieradzki, Polityka on The Last Wish

"Sapkowski's The Last Wish is a great collection of short stories centered around a witcher, Geralt - a rare sorcerous breed who hunts down the monstrous but is feared by the innocent. With a wondrous mix of Eastern European folklore and myth, beautiful princesses, mischievous demons and where all is not as it seems, The Last Wish is a great read - perfect for dipping into or just reading cover to cover, as I did."―Waterstones

"It is [his] world-weariness combined with his battle-honed powers that make Geralt such an interesting character. Here's hoping The Last Wish is merely the opening chapter in his English language adventures."―Edge

"I really, really enjoyed this book ... None of the characters in Sapkowski's world are black or white; they are all shades of grey, including Geralt and the monsters."―The Deckled Edge

"Sapkowski is very good at creating interesting, imaginative characters with unusual levels of depth to them ... The Last Wish is an enjoyable book full of stories both melancholy and comic."―The Wertzone

"This beautifully written character-based story from Polish author Andrzej Sapkowski ... a refreshing champion."―The Specusphere

"New battle mechanics, a fantastic storyline, and a gritty setting make The Witcher one of the most engrossing, mature RPGs to arrive on the PC in years."―Gamespot.com on The Witcher video game

"The Witcher delivers one of the most intense and rewarding role-playing experiences this year."―GT Reviews on The Witcher video game

About the Author
Andrzej Sapkowski was born in 1948 in Poland. He studied economy and business, but the success of his fantasy cycle about the sorcerer Geralt of Rivia turned him into a bestselling writer. He is now one of Poland's most famous and successful authors.

Most helpful customer reviews

40 of 42 people found the following review helpful.
Great story, watch out for Amazon's mislabelling of the order the books come in
By Corrie
This story is excellent and if you have played The Witcher videogames then you will appreciate it all the more (and vice versa)

I'm really just writing this review so people don't fall into the same trap that I did and skip over Swords of Destiny before reading this one. Amazon has this labelled as Book 2 and has Swords of Destiny labelled as Book 4. That is because Swords of Destiny was published later (the English version at least), but in terms of the story this is the order I would recommend reading them in: Last Wish, Swords of Destiny, Blood of Elves, Time of Contempt, Tower of Swallows, and Lady of the Lake (coming out in 2017). The Last Wish and Swords of Destiny are collections of short stories, but the rest all follow a specific story arc so it is really better to at least read the rest in the order that I mentioned. Hope that helps!

4 of 4 people found the following review helpful.
Good books, nothing special. Ugly to look at.
By Ari
These are good books. I wouldn't call them great, but I didn't feel like I wasted my time reading them. It skips around from person to person and occasionally I'd get bored with where the story was at and skim the chapter instead of reading the whole thing. The editing is a little poor - throughout the books they can't seem to decide how they want to spell Dandelion's name (they'll use Dandilion sometimes). I mostly read these because I didn't play the first two Witcher games and after playing the 3rd one felt like I wanted to know the characters better. You'll certainly get your fix of Geralt, Yennefer, and Ciri, if that's what you're looking for.

Much like the poor editing, the presentation of the books is poor as well. They're rather ugly, all things considered - the artwork on the front appears to be artwork from the second Witcher game, and ugly artwork at that. The cover of Blood of Elves is blatantly artwork depicting a tortured Geralt from Witcher 2. Combined with the red binding, they're just an eyesore. Also, the paperback books come in different sizes and look terrible sitting on a shelf together.

9 of 9 people found the following review helpful.
GREAT READ!
By PlaywithJay Gaming
So I had not ever heard of these books or anything about this Universe at all until the last 2 years and then only because of the new 'The Witcher 3 Wild Hunt' video game coming out this month. As I started hearing and seeing allot about this game I started to look up what I could find oout about the story so I would have some kinda idea of what the game was gonna be about, names of characters, cities and Kingdoms and the such, I never really expected to find what I did. And I am SO GLAD I did, because this has turned out to be as exciting and endearing to me as Star Wars or Lord of The Rings, and thats no easy task but Geralt Of Rivia, Ciri, Triss, Yen, Dandellion and all the rest of the colorful characters have made a permanent home in my library of Books and video Games. A must read for any true fantasy/sci-fi f

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