Selasa, 23 Desember 2014

[U347.Ebook] Download PDF Baroque Flute Anthology Volume 2: 25 Works for Flute and Piano (Schott Anthology Series)From Schott

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(Woodwind Solo). A collection of 17th and 18th century works by Boismortier, Loeillet and Rameau, as well rarely available pieces from a range of other composers. Composer biographies are included. Pieces are graded and presented in a progressive order complete with practice notes for each piece. The CD features full performances by Annabel Knight and Robin Bigwood.

  • Sales Rank: #2444742 in Books
  • Published on: 2016-01-01
  • Original language: English, French, German
  • Dimensions: 12.00" h x .23" w x 9.25" l, .0 pounds
  • Binding: Paperback
  • 56 pages

About the Author
Founded in 1947, Hal Leonard Corporation has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.

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1 of 1 people found the following review helpful.
... forward receiving the second volume since I very much liked the first
By P. Tapia
I was looking forward receiving the second volume since I very much liked the first. The pieces are a bit more challenging technically. The keys are not A lot of shaps! G major, E minor, D major which is really good if you are playing/learning Traverso (Baroque flute) as me. I am still "afraid" of the flats :-) I have plenty by trying to sound in tune in the sharp keys as it is for now. I don't think people playing the concert flute will have the same problem. The pieces in this album are much more interesting for the one playing them and as for the listener. Several movements from Sonatas, many I have not heard before. There is a bit for everyone ! All of them beautifully played once again by Annabel Knight. Now to study so I can look forward a volume 3. Thank you !

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Minggu, 14 Desember 2014

[Z745.Ebook] Ebook Free The Pilot Plant Real Book: A Unique Handbook For The Chemical Process Industry, by Francis X. McConville

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  • Sales Rank: #1721667 in Books
  • Published on: 2006-12
  • Original language: English
  • Dimensions: 11.00" h x 8.25" w x .75" l, 2.60 pounds
  • Binding: Misc. Supplies
  • 1 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
A practical handbook for chemists and engineers for the pilot plant.
By C�dric Leclercq
This is a richly illustrated book with clear and concise information.
Including all chemical engineers/chemists need to know about pilot plant equipment and products/reagents' use.
It deals with a good safety approach the use and the pivotal role of the pilot plant in chemical development.
Absolutely useful to do the connexion between laboratory and production!

0 of 0 people found the following review helpful.
Pilot Plant Real Book
By Craig Mucher
It has been as helpful as described by the colleague who recommended it. It is a good source of chemical and equipment info.

0 of 0 people found the following review helpful.
Five Stars
By Carol Gahagan
Excellent condition, very pleased.

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Rabu, 10 Desember 2014

[Q551.Ebook] Free PDF An Nan Cua Da Vit , by Pastor Ock Soo Park, by pastor ock soo park

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  • Published on: 1993
  • Binding: Pamphlet
  • 48 pages

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Selasa, 09 Desember 2014

[X598.Ebook] Ebook Download The Software License Unveiled: How Legislation

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The Software License Unveiled: How Legislation

Millions of computer users regularly bind themselves to software license terms with the click of a mouse, usually without reading anything but the word "agree." Licenses for software as diverse as Microsoft Windows and Linux, and terms of use for websites such as Facebook, are all subject not only to intellectual property and commercial law, but also to the private law of the license, which comes in many forms, each with its advocates. Microsoft, for example, maintains that its proprietary model gives users the rights they need while creating the incentives that have made the United States the global software leader, while Richard Stallman - creator of the GNU General Public License and author of a number of free software programs - asserts that proprietary licensing enables software companies to "hoard" software they should be sharing.

In The Software License Unveiled, Douglas Phillips looks at both of these extremes and questions how these proliferating but largely unread license terms affect access to software, one of the economy's most valuable resources. While highlighting the obvious divergences, he makes the more illuminating case that most current models - spanning the spectrum from proprietary to free - have one key feature in common: to an increasing extent, each license model extends, modifies, or displaces public law that would otherwise apply. Unlike books that advocate one form of licensing or another, this one reframes the debate to propose that going forward a key challenge for lawyers, scholars, policymakers, and the public is to consider whether "legislation by license" should be the means for controlling software access.

  • Sales Rank: #3645646 in Books
  • Published on: 2009-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.20" h x .90" w x 9.20" l, 1.05 pounds
  • Binding: Hardcover
  • 232 pages

Review

"This is a thorough tour of the software license. Phillips challenges conventional models and ideologies, and offers real-world examples and insights for anyone who has a stake in software distribution."
--Eric Schmidt,
Chairman of the Board and CEO, Google Inc.


"Douglas Phillips has provided us with a wide-ranging and thoughtful analysis of current problems with software licensing, and his proposed solution is clear and sensible."
--Jameson W. Doig,
Professor of Politics and Public Affairs Emeritus, Princeton University


"In Doug Phillips' skillful hands, the subject of software licensing comes alive. He has a lot of smart things to say about this novel but important legal issue -- and he says them well."
--Alan S. Blinder,
Gordon S. Rentschler Memorial Professor of Economics and Public Affairs, Princeton University


"If you're at all interested in privately made "laws", technology and its legal framework or the history of the software industry, you'll enjoy taking a gander at The Software License Unveiled."
--IPWhatsUp.com


"The Software License Unveiled is a well-written and illuminating book. Caselaw citations are listed in a Table of Cases, and the well-constructed index contains many cross-references. I recommend this book for all types of law libraries..."
--Bryan M. Carso, Coordinator of Reference & Instructional Services, Western Kentucky University Law Libraries, Bowling Green, KY, Legal Information Alert


"This book will persuade you to question the assumption that complex legislative software licenses are desirable or inevitable. Phillips writes about this technical subject with humor and ease, as someone who has been in the trenches representing software licensors and licensees for decades." -California Lawyer


"An enlightened point of view."-les Nouvelles


About the Author

Douglas E. Phillips is Vice President and General Counsel of Promontory Interfinancial Network, a company based in Arlington, Virginia, that provides technology-based services to financial institutions. He joined Promontory from the law firm of Covington & Burling in Washington, D.C., where over two decades he was involved with some of the most significant legal issues affecting software on behalf of a variety of clients, including both licensors and licensees and ranging from startup companies to large corporations.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Phillips unwraps the EULA
By AmazonUserName
A thought-provoking tour through the thicket of licensing theory and practice. Phillips peels back the clickwrap and exposes the issues behind modern EULAs, GPL, open source, copyleft, etc. The text is both interesting and dense, and covers the field in a reader-friendly way. For anyone interested in software licensing, this should be required reading. Only problem -- after your done you might never click "Agree" again.

4 of 5 people found the following review helpful.
Cutting Edge Thinking
By mda77
This book goes well beyond the shrill polemics that typically surround this subject. Indeed, it presents an "out of the box" alternative to the two traditional camps. And given the explosively increasing importance of intellectual property issues in our economy, it is a timely read. I enjoyed it a lot, despite the challenging content and emphasis on a rigorous conceptual framework that focuses economic, legal and social principles on the key issues. There is also a nice dose of historical perspective which injects not only a contextual element but also a wicked slice of humor. Neither side is spared! Enjoy...

2 of 3 people found the following review helpful.
Congress Should Read This Book But Won't; You Can
By John R. Sommer
This book is an interesting read for copyright lawyers as well as software professionals. Policymakers in Congress should read it too, but that doesn't seem likely. The Software License Unveiled was enjoyable because of the many interesting facts and analyses. That the book is concise (in marked contrast to most scholarly books) means it was a pleasure, rather than a drudge, to read.

The law about software copyright developed almost entirely during the life of most copyright lawyers. When I was still in college, I was typing programs on punch cards. Free "software" was limited to cards that would print out a "Snoopy" on the 18-inch wide paper we used. Much has happened since then.

The book discusses a seminal article by Bill Gates written in 1976 about hobbyists (and those were the persons using computers back then) who copied software without paying for it. One wonders how the computer industry would have developed if Bill Gates' father hadn't been a named partner at a major Seattle firm (one that I interviewed with but didn't receive an offer). One supposes that someone else would have filled the role of Microsoft.

Although we all know about the several versions of GPL (and if not, the book is a great introduction to the subject), I did not know about Richard Stallman, the inventor of "copyleft," as distinguished from "copyright." Although Stallman believes in no copyright protection, he "sold" the disks upon which the "free" software was recorded. Stallman felt this was not a violation of his principle that all software should be free--a distinction without a difference that even a lawyer can chuckle about. Beyond these interesting tidbits, the book provides a thoughtful analysis of the GPL and "copyleft." The book discusses the "viral" nature of GPL software, but omits a discussion of the vendors who have grown up in response: vendors who screen software for GPL contamination.

The EULAs or "shrink-wrap licenses," which we all take for granted as enforceable, were of uncertain validity until the ProCD case in only 1996. A number of interesting thoughts about the ridiculously one-sided nature of EULAs: what is there to limit EULAs? Software vendors could include language in the EULA that would allow the vendor to install adware and spyware on the users' computers without their knowledge or permission. What prevents the vendors from doing so? Certainly not any negotiations between most consumers and the vendors. What about a few sophisticated consumers (such as IT professionals in large corporations)? Or public interest groups (such as the Electronic Privacy Foundation) that shame the vendor into a more reasonable EULA?

From a policy perspective the larger question is whether all the important doctrines included within the Copyright Act are allowed to be superseded by EULAs: fair use, reverse engineering of uncopyrightable elements. The later point is dear to me since I worked on a major case involving the application of a license to the reverse engineering of unprotectable elements of a program. The decision was depublished by the California Supreme Court, but that battle has long been lost due to language included in most EULAs. Yet, for our society, does this make good policy?

A third approach, different than GPL and EULA, is open source. As we all know, SCO and the other UNIX service providers existing on servicing public domain software. A bit more attention to the various open source programs other than UNIX would have been interesting.

The book contains well-written and understandable explanation of some major economic analyses of software licensing: economic efficiency, information asymmetry, intangible property, the hypothetical extension of licensing to other goods, for example, what if hammers were licensed pursuant to a EULA instead of sold?

In summary, intellectual property attorneys, licensing attorneys and software professionals should all enjoy this book.

As a disclosure, I know the author, and despite that it was a pleasure to read and I recommend the book to my friends.

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Senin, 08 Desember 2014

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Music Lessons Planner: Music Student/Teacher Assignment Journal, by Alex Cross

Music Lessons Planner is developed for music student and teachers. It provides enough space for lesson assignments, comments and feedback. Music Lessons Planner includes: - lessons schedule (fix and flexible), - goals (year, month) - lesson assignment (45 double pages), - rehearsal schedule, - recital/performance schedule, - practice recording schedule, - pages to write your music to listen and play, - music staff pages - notes pages Organize your music lessons and practice time efficiently with Music Lessons Planner!

  • Sales Rank: #1203454 in Books
  • Published on: 2013-07-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .25" w x 5.50" l, .30 pounds
  • Binding: Paperback
  • 108 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By flower
My daughter loves this planner; it helps her with music lessons.

See all 1 customer reviews...

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Jumat, 05 Desember 2014

[I311.Ebook] Ebook Free The War of Art: Winning the Inner Creative Battle, by Steven Pressfield

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The War of Art: Winning the Inner Creative Battle, by Steven Pressfield

Internationally bestselling author of Last of the Amazons, Gates of Fire, and Tides of War, Steven Pressfield delivers a guide to inspire and support those who struggle to express their creativity. Pressfield believes that “resistance” is the greatest enemy, and he offers many unique and helpful ways to overcome it.

  • Sales Rank: #276996 in Books
  • Published on: 2015-06-16
  • Formats: Audiobook, MP3 Audio, Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .50" w x 5.25" l,
  • Running time: 3 Hours
  • Binding: MP3 CD

From Publishers Weekly
Novelist Steven Pressfield (The Legend of Bagger Vance; Gates of Fire) goes self-help in The War of Art: Winning the Inner Creative Battle. Dubbing itself a cross between Sun-Tzu's The Art of War and Julie Cameron's The Artist's Way, Pressfield's book aims to help readers "overcome Resistance" so that they may achieve "the unlived life within." Whether one wishes to embark on a diet, a program of spiritual advancement or an entrepreneurial venture, it's most often resistance that blocks the way. To kick resistance, Pressfield stresses loving what one does, having patience and acting in the face of fear.

From Library Journal
Drawing on his many years' experience as a writer, Pressfield (The Legend of Bagger Vance) presents his first nonfiction work, which aims to inspire other writers, artists, musicians, or anyone else attempting to channel his or her creative energies. The focus is on combating resistance and living the destiny that Pressfield believes is gifted to each person by an all-powerful deity. While certainly of great value to frustrated writers struggling with writer's block, Pressfield's highly personal philosophy, soundly rooted in his own significant life challenges, has merit for anyone frustrated in fulfilling his or her life purpose. Successful photographer Ulrich (photography chair, Art Inst. of Boston; coeditor, The Visualization Manual) explores the creative impulse and presents an approach to developing creativity that, like Pressfield's, will be relevant to artists and others. He identifies and explains seven distinct stages of the creative process: discovery and encounter, passion and commitment, crisis and creative frustration, retreat and withdrawal, epiphany and insight, discipline and completion, and responsibility and release. He also develops his view of the three principles of the creative impulse, which include creative courage, being in the right place at the right time, and deepening connections with others. Rooted in Eastern philosophy, Ulrich's fully developed treatise nicely updates the solid works of Brewster Ghiselin (The Creative Process), Rollo May (The Courage To Create), and Julia Cameron (The Artist's Way). It also supplements Pressfield's inspirational thoughts on overcoming resistance through introspective questions and practical exercises that further elaborate the creative process. Both books are recommended for public libraries needing additional works on creativity. Dale Farris, Groves, TX
Copyright 2002 Reed Business Information, Inc.

Review
"A vital gem...A kick in the ass for all of us with a tendency towards procrastination."

"Amazingly cogent and smart on the psychology of creation."

Most helpful customer reviews

50 of 54 people found the following review helpful.
The first time in 109 reviews that I have ever said, "you Must read this book"!
By Brian Johnson
[[VIDEOID:98df8a3aa5c3ebd9a6a312b6b3c0afae]] "Kabbalists believe that above every blade of grass is an angel crying "Grow! Grow!" I'll go further. I believe that above the entire human race is one superangel, crying "Evolve! Evolve!""

"The amateur believes he must first overcome his fear, then he can do his work. The professional knows that fear can never be overcome. He knows there's no such thing as a fearless warrior or a dread-free artist. What Henry Fonda does, after puking into the toilet in his dressing room, is to clean up and march out onstage. He's still terrified but he forces himself forward in spite of his terror. He knows that once he gets out into the action, his fear will recede and he'll be okay."

~ Steven Pressfield from The War of Art

This is the 109th review I've created. Up to this point, I've made a lot of strong recommendations on books I think you'd love but I've never said you *must* read a particular book.

I'm gonna break that streak here.

If you're a creative person, you need to read this book. It's that good. And, when I say "creative person" I mean anyone who's committed to creating an authentically awesome life. (And, given the fact that you're reading this, my hunch is that clearly means YOU!)

I'm not sure how many times I've read The War of Art over the years but it's a lot. Each time I pick it up I get a swift kick in the creative butt and my life takes a significant step forward.

As the author of The Legend of Bagger Vance and a number of great best-selling novels (my favorite beyond Bagger Vance is Gates of Fire--an incredible portrayal of the classic Spartan warriors), Steven Pressfield knows what it's like to create. He has an extraordinary way of capturing the challenges we face in the War of Art--along with the means by which we can overcome those obstacles (or, as he calls it "Resistance"). Powerful stuff.

Here's just a few of the Big Ideas:

1. Throwing Up - It happens.
2. Work & Its By-Products - Let results take care of themselves.
3. True Love - The amateur vs. the professional.
4. It's 9 O'Clock - Time for inspiration to strike.
5. Time to Turn Pro - A checklist.

To find 250+ more reviews visit http://bit.ly/BrianReviews

48 of 50 people found the following review helpful.
this book will help you if you have an open mind
By Brian505
This book may not be for everyone, because not everyone will recieve the message, but it is intended for everyone, in that creativity lies in every human in some form. A lot of reviewers complain about the short chapters, the seeming lack of content, the casual flippancy Pressfield occasionally invokes when discussing the image of Hitler as a repressed, blocked artist, the third part of the book that deals with higher dimensions and serving a higher purpose. etc. No, this book may not be for everynyone. But if you are a blocked creative with an open heart and an eager mind or someone seeking to launch any kind of humanistic endeavor or starting a business, etc, you should consider giving it a try.

This is an unorthodox book. You'll finish it in a day or two. It's filled with words like "Resistance" that sound like self-help buzzwords. It isn't. It's a very apt and all-encompassing term for the forces that keep you from doing your life's work, whatever that may be. Distraction, apathy, booze, procrastination, excuses, toxic relationships, depression, and my favorite of Pressfield's: "compulsive screwing up", just to name a few. Anyone honest with himself who has ever claimed to have "writer's block" knows it's a cop-out, an excuse for not sitting down at an empty screen/page, and doing the work.

This book will kick you in the ass and show you how you've been self-sabotaging yourself. It will also fire you up and give you the strength you need to press on and do the work. Pressfield is a kindly drill-sergeant; he holds no punches but you get the feeling that he really wants you to succeed.

As I read the opening chapter on resistance I saw my guilty self on each page. Illusions were shattered. but it inspired me to sit down at the blank screen and do it. You'll read it once and then refer to it again and again as you might work with a coach on your golf swing.

It's a blue-print, not a map, and everyone's experience will be slightly different as they work through their own demons creating their blocks, so don't expect this to solve your problems. It's up to you to kill your own Minotaur. YOU have to do the work. Identifying the things in life that hold you back, the negative thought patterns, perfectionism, etc., is only the beginning.

The third part of the book, the part that addresses that thorny issue of where ideas and inspiration comes from, will be where many will fall by the wayside. Pressfield cautions you not to hold on too tightly to that precious gemstone you call your "talent", and open yourself to other possibilites, that there may be a higher dimensional energy at work here and that we, the artists, writers, dancers, whatever, are only the agents that this energy works through. Call it what you want. god, the universe, the tao, whatever. I think it was jazz great Charlie Parker that said when asked where his ideas come from, "I just try to get out of the way". He meant that he suspended all ego and allowed the work to flow through him from a higher plane. not comfortable with all this higher-dimensional nonsense? Maybe it's not for you.

But The War of Art will help you. It's helping me. Try his other one, Do The Work as well; some of it is redundant, but is still very worth it. you have nothing to lose, only your blocks, so open your mind and try it.

8 of 8 people found the following review helpful.
Had Tears In My Eyes By The Time I Was Finished
By Harry Ramsay
This is an absolutely amazing book on self-discipline and creativity.

If you're an entrepreneur, an artist, a writer, scientist or just about anybody with an internal urge to CREATE something but cannot because of distractions, fears, doubts and apprehensions, then this is the book for you.

This will book show and define the #1 thing that's stopping you from bringing out your creative potential. It's called Resistance and how it behaves and how it beats you.

And then it stresses why we should overcome the resistance and how to overcome it successfully by detaching ourselves from the fruits, operating from a territorial perspective (i.e. Doing work for the sake of doing work).

By the time I reached the small chapter on Gita and Krishna's explanation on doing work for work's sake, I literally had tears in my eyes.

... Because that's the way an artist must operate, not caring for the fruits.

And I can attest my success in my business & job for JUST that. I gave up all hopes, desires & doubts I had.

I didn't care. I just decided to do the work, punched in my time and 3 years later, I'm at a level that's shocking for many (but something I dreamed about).

However, I still have a lot of blocks where I didn't express myself and get the creative part of me and I'm fortunate to have come across this book.

Anyone who is here to CREATE something - read it. It will change your life!

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Senin, 01 Desember 2014

[N194.Ebook] Download The Biggest Tongue Twister Book in the World, by Gyles Brandreth

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The Biggest Tongue Twister Book in the World, by Gyles Brandreth

  • Published on: 1978
  • Binding: Hardcover

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