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Henry VIII: The King and His Court, by Alison Weir
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For fans of Wolf Hall, Alison Weir’s New York Times bestselling biography of Henry VIII�brilliantly brings to life the king, the court, and the fascinating men and women who vied for its pleasures and rewards.
“WEIR’S BOOK OUTSHINES ALL PREVIOUS STUDIES OF HENRY. Beautifully written, exhaustive in its research, it is a gem. . . . She succeeds masterfully in making Henry and his six wives . . . come alive for the reader.”—Philadelphia Inquirer
Henry VIII, renowned for his command of power and celebrated for his intellect, presided over one of the most magnificent–and dangerous–courts in Renaissance Europe. Never before has a detailed, personal biography of this charismatic monarch been set against the cultural, social, and political background of his glittering court. Now Alison Weir, author of the finest royal chronicles of our time, brings to vibrant life the turbulent, complex figure of the King. Packed with colorful description, meticulous in historical detail, rich in pageantry, intrigue, passion, and luxury, Weir brilliantly renders King Henry VIII, his court, and the fascinating men and women who vied for its pleasures and rewards. The result is an absolutely spellbinding read.
- Sales Rank: #78135 in Books
- Brand: Weir, Alison
- Published on: 2002-10-29
- Released on: 2002-10-29
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x 1.30" w x 5.50" l, 1.23 pounds
- Binding: Paperback
- 656 pages
Amazon.com Review
Contemporary observers described the young king in glowing terms. At over six feet tall, with rich auburn hair, clear skin, and a slender waist, he was, to many, "the handsomest prince ever seen." From this starting point in Henry VIII, the King and His Court, biographer extraordinare Alison Weir reveals a Henry VIII far different from the obese, turkey-leg gnawing, womanizing tyrant who has gone down in history. Henry embodied the Renaissance ideal of a man of many talents--musician, composer, linguist, scholar, sportsman, warrior--indeed, the Dutch humanist Erasmus (not a man inclined to flattery) declared him a "universal genius." In scholarly yet readable style, Weir brings Henry and his court to life in meticulous, but never tedious, detail. Weir describes everything from courtly fashions to political factions and elaborate meals to tournament etiquette. Along the way she offers up charming--if all too brief--glimpses of Henry's court: tiny Princess Mary, still a very young girl, at her betrothal ceremony saying to the proxy, "Are you the Dauphin of France? If you are, I want to kiss you"; Henry weeping with joy as he held his long-awaited son and heir for the first time; Henry showing off his legs to the Venetian ambassador ("Look here! I have also a good calf to my leg"); Henry's courtiers dressing in heavily padded clothes to emulate--and flatter--their increasingly stout monarch. She also reveals some surprises, for example, that Henry and Katherine were still hunting together as late as 1530, even though Henry was desperately trying to have their marriage annulled. Weir also describes surprisingly happier times in their relationship; Henry loved to dress up in costume, and "was especially fond of bursting in upon Queen Katherine and her ladies in the Queen's Chambers.... Henry took a boyish delight in these disguisings and Katherine seemingly never tired of feigning astonishment that it was her husband who had surprised her." Henry's queens receive relatively little attention here (for them, see Weir's excellent Six Wives of Henry VIII), but this book is fascinating and a joy to read. Alison Weir has done it again. --Sunny Delaney
From Publishers Weekly
In a succession of books on medieval and early modern monarchs, Weir has established her credentials as one of the most evocative of popular historians. In Eleanor of Aquitaine (which will be reissued in paperback to tie in with this publication), she brushed aside a forest of scholarly debate in favor of fully rounded human portraits. She now turns to the colossal figure of Henry VIII, aspiring chivalric hero and accidental spearhead of the Reformation. In the age's luxurious ceremony, Weir is thoroughly in her element. She revels in the Field of Cloth of Gold, an elaborate showpiece where Henry met his French counterpart; in the zesty supporting cast; and even in the less appetizing duties of the Groom of the Stool. Henry's passions were many and charming: his beloved dogs Cut and Ball were evidently so prone to getting lost that he would pay some œ225 to their finder. Weir's fondness for her character has its difficulties. While admitting that the king proved to be "an imperious and dangerous autocrat who became mesmerised by his own legend," she too is seduced by the myth. Given to romantic hyperbole, she concludes with the largely unsupported sentiment that Henry "excelled all who ever wore a crown"; chalk up another victory for his propagandists. Other problematic characters, like Thomas More ("calm, kind, witty and wise"), are also let off lightly. Still, Weir's nose for detail, her sharpness of eye and her sympathetic touch make this a feast for the senses. (May 1)Forecast: Weir always gets excellent reviews, and Ballantine says there are 500,000 copies of her books in print, and yet she hasn't broken out big-time. Her choice of subject here may make this the one. It is a dual main selection of BOMC, as well as a selection of the Literary Guild, the History Book Club and QPB.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
The events surrounding Henry VIII's tumultuous life have long held public fascination. Weir (The Six Wives of Henry VIII) here examines the minutiae of his daily life and gives prominence to the background players of his court. We learn of the king's daily ablutions, hunting pursuits, "mania for property," and amorous liaisons. Numerous other aspects of the period are examined, such as kitchen hygiene, religious feasts and observances, the adornments of the royal palaces, the financial administration of the household, and, of course, the political maneuvering. As the lens shifts to the court, we are introduced, through such notables as Thomas Wolsey and Thomas Cromwell, to the dangerous jockeying for position to achieve royal favor. The paintings of the royal family by Hans Holbein are meticulously described, illuminating the culture and sensibilities of the period. At times, the weighty detail and numerous characters will make the work inaccessible; however, as a scholarly study it is a significant achievement. Recommended for larger public libraries and academic libraries. Isabel Coates, Brampton, Ont. Communications
Copyright 2001 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Insightful and enjoyable read!
By Shelly O.
Was an overal easy to follow and interesting read about Henry VIII. I felt a little bogged down by all the names of people that were mentioned, but thoroughly enjoyed the book. I would highly recommend!
15 of 17 people found the following review helpful.
Henry VIII: A True Renaissance Prince
By P A Brown
I always enjoy Alison Weir's biographies; they are scrupulously researched, her arguments are based on that research and her conclusions are carefully drawn and fair. She is sure of her stance, but is flexible enough admit doubts. In "Henry VIII: The King and His Court," Weir has dug even deeper into a subject about which she has written many times -- the brilliant Tudors who reigned over Britain's flowering rennaissance. Here she offers up an amazing amount of detail on not only the King and his six wives, but also on the astonishing array of people who made up his court, conselors and companions. Among other things, Weir credits Henry with introducing humanist teachings and philosophy to England, limning him as a great scholar, musician, athlete, scientist, author and patron of the arts. And yes, she does point out that he aged into a splendid and cruel tyrant, bankrupting the country with needless wars and very conscipuous consumption most often meant to impress royal rulers across Europe with lavish gestures and costly entertainments. All this glory and grandure was for a tiny elite; Henry most often ignoredthe growing restlessness of his mostly impoverished subjects, as he revolutionized religion in his realm to suit his dynastic needs. "The King and His Court" shines a bright light on the details on every aspect of the lives of the great and noble (and the occasional confection creator, armorer, or gifted craftsman). We learn what they wore, how they amused themselves, what and how they ate, who slept with whom, their innovations in architecture, art, dance, religion practices, how much this all cost (the sums are staggering) and much more. While all of this gossipy detail is delicious, and Henry's story of marital woes and his quest for an heir always makes a good read, what this book is outstanding in Weir's fully realized portraits of the remarkable denizens of Henry's court, from the humanist scholar Erasmus, to the martyred Thomas Moore, to the genius of the artist Holbein, to that cunning intriguer, Cardinal Wolsey. The richness of character, the fullsomeness and variety of information, the unstinting portrait of the complex Henry all add up to an enormously rewarding book. To read this book is to gain a whole new understanding of one of the most important chapters in Britain's royal history. Read this wonderful book to learn that Henry made it fashionable to sleep in a nightshirt, liked to concoct his own tonics and nostrums, was one of Europe's greatest dancers, was a talented composer and player of many instruments, and was a recognized and dedicated fashionista with a daring color sense...and, yes, how he dealt with those six wives, good, bad, sad and tragic.
18 of 19 people found the following review helpful.
Delicious Social History
By Irene Rheinwald
Generally, I'm not a fan of Weir, as she made a number of errors in her "The Six Wives of Henry VIII". At times her research is faulty. Unfortunately, this book also suffers from mistakes: one of the most glaring is not doing her homework on the 16th C. Tower of London. The current site of the scaffold, in front of St. Peter ad Vincula, was a Victorian notion, and Anne Boleyn's coronation lodgings, where she stayed after her arrest, is not the present Queen's House (but does include salvaged architectural features). As a historian, she should not fall into the "tourist trap". However, this book reveals a superb grasp of overwhelming amounts of quirky primary source documents; quite the task. Also, it is a perfect adjunct to countless biographies that overlook this type of background material.
While not a biography of Henry VIII per se, this book is a fascinating glimpse into the machinations of his court over time. This lion king, fierce, ruthless, gifted and charming, presided over the first truly Renaissance court in England. Ms. Weir combed obscure sources for hitherto unknown insights and has written them into a cohesive social history. Who knew Henry VIII and Anne Boleyn both favoured cherries and strawberries above all other fruit? I had heard Henry VIII was fastidious in his personal hygiene, but here all is described at length: his daily routines, his eating and exercise habits, how he dined and with whom, the monumental progresses, plus his being the centre of an enormous courtly universe. What protocols his courtiers had to observe! And even Henry VIII is not the master of destiny, at least not in the minutae: he, too, was bound by conventional expectations of kingly behaviour.
Even as Henry was clean, his courtiers were hardly so: where else would find details such as crosses carved into palace walls to prevent men from urinating against them? Utterly charming.
Here we see Henry's human side; I am familiar with Scarsbrick's intellectual view of Henry -- the man of policy and passion, the ecclesiastical and political dimensions. Here we see the business of being king; one sees 'Dieu et Mon Droit' in action, the pageantry, the spectacle, the dangers associated of rising too close to this brilliant sun. Much of it all must have been tedious, but Henry was born to the task (even if he were not destined to be king).
And Henry is not the only one addressed from an unconventional angle: Ms. Weir has unearthed details regarding Henry's wives and associates which normally escapes biographers. Occasionally, however, she does go out on an unsupported, unconventional limb, but overall, this is a wonderful companion piece to more difficult scholarly analyses of the period. Indeed, the book is easy to digest, although some unfamiliar with Henry VIII's reign might find the detail overwhelming. For the aficionado it is a welcome addition.
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